| The circus and modernity: A commitment to ‘the newer’and ‘the newest’ G Arrighi Early Popular Visual Culture 10 (2), 169-185, 2012 | 33 | 2012 |
| Victoria Theatre virtual reality: A digital heritage case study and user experience design G Arrighi, ZS See, D Jones Digital applications in archaeology and cultural heritage 21, e00176, 2021 | 27 | 2021 |
| Simulated patients in a mental health occupational therapy course: A pilot study K Haracz, G Arrighi, B Joyce British Journal of Occupational Therapy 78 (12), 757-766, 2015 | 21 | 2015 |
| Towards a cultural history of community circus in Australia G Arrighi Australasian Drama Studies, 199-222, 2014 | 21 | 2014 |
| The FitzGerald Brothers' Circus: Spectacle, Identity, and Nationhood at the Australian Circus G Arrighi Australian Scholarly, 2015 | 18 | 2015 |
| The Cambridge companion to the circus G Arrighi, J Davis Cambridge University Press, 2021 | 14 | 2021 |
| Political animals: Engagements with imperial and gender discourses in late-colonial Australian circuses G Arrighi Theatre Journal, 609-629, 2008 | 12 | 2008 |
| Entertaining Children: The participation of youth in the entertainment industry G Arrighi, V Emeljanow Springer, 2014 | 10 | 2014 |
| Entertaining Children: An Exploration of the Business and Politics of Childhood G Arrighi, V Emeljanow New Theatre Quarterly 28 (1), 41-55, 2012 | 10 | 2012 |
| Victoria Theatre virtual reality: A digital heritage case study and user experience design. Digital Applications in Archaeology and Cultural Heritage, 21, e00176 G Arrighi, ZS See, D Jones | 7 | 2021 |
| Reimagining ‘role’and ‘character’: An approach to acting training for role-play simulation in the tertiary education setting G Arrighi, C Irvine, B Joyce, K Haracz Applied Theatre Research 6 (2), 89-106, 2018 | 7 | 2018 |
| Circus studies: where to next? G Arrighi Popular Entertainment Studies 6 (1), 62-65, 2015 | 7 | 2015 |
| Negotiating National Identity at the Circus: The FitzGerald Brothers' Circus in Melbourne, 1892 G Arrighi Australasian Drama Studies, 68-86, 2009 | 6 | 2009 |
| The Controversial" Case of the Opera Children in the East": Political Conflict between Popular Demand for Child Actors and Modernizing Cultural Policy on the Child G Arrighi theatre journal, 153-173, 2017 | 5 | 2017 |
| Healthy bodies and young minds: late-nineteenth-century performer training in Australia G Arrighi Theatre, Dance and Performance Training 7 (1), 17-31, 2016 | 5 | 2016 |
| D'Oyly Carte's pantomimes: Complementarity and innovation G Arrighi Popular Entertainment Studies 3 (2), 31-44, 2012 | 5 | 2012 |
| Synthesising circus aesthetics and science: Australian circus and variety theatre at the turn of the twentieth century G Arrighi Early Popular Visual Culture 16 (3), 235-253, 2018 | 4 | 2018 |
| Circus and sumo: tradition, innovation and opportunism at the Australian circus G Arrighi Theatre Research International 37 (3), 265-282, 2012 | 4 | 2012 |
| The Neutral Mask: Its Origins and Its Applications to the Creative Processes of the Actor G Arrighi VDM Publishing, 2010 | 4 | 2010 |
| Circus and Electricity: Staging Connexions Between Science and Popular Entertainments G Arrighi Circus, Science and Technology: Dramatising Innovation, 81-100, 2020 | 3 | 2020 |
Zi Siang SeeUniversity of TasmaniaVerified email at utas.edu.au
