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Sofia Dahl
Sofia Dahl
Associate Professor in Music perception and Cognition, Aalborg University
Verified email at create.aau.dk
Title
Cited by
Cited by
Year
Visual perception of expressiveness in musicians' body movements
S Dahl, A Friberg
Music Perception 24 (5), 433-454, 2007
4302007
Playing the accent-comparing striking velocity and timing in an ostinato rhythm performed by four drummers
S Dahl
Acta Acustica united with Acustica 90 (4), 762-776, 2004
1202004
Gestures in performance
S Dahl, F Bevilacqua, R Bresin
Musical Gestures, 48-80, 2010
1152010
Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony
K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ...
Experimental brain research 198, 339-352, 2009
1112009
The playing of an accent–preliminary observations from temporal and kinematic analysis of percussionists
S Dahl
Journal of New Music Research 29 (3), 225-233, 2000
852000
Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers
K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ...
Neuroimage 56 (3), 1480-1492, 2011
782011
Expressiveness of musician’s body movements in performances on marimba
S Dahl, A Friberg
Gesture-Based Communication in Human-Computer Interaction: 5th International …, 2004
742004
On the beat: Human movement and timing in the production and perception of music
S Dahl
KTH, 2005
482005
Movements and analysis of drumming
S Dahl
Oxford University Press, 2012
432012
Striking movements: A survey of motion analysis of percussionists
S Dahl
Acoustical science and technology 32 (5), 168-173, 2011
402011
Is the player more influenced by the auditory than the tactile feedback from the instrument
S Dahl, R Bresin
Proc. of the cost-g6 workshop on digital audio effects (dafx-01), limerick …, 2001
382001
Motor control in drumming: Influence of movement pattern on contact force and sound characteristics
S Dahl, E Altenmüller
312008
Experiments on gestures: walking, running, and hitting
R Bresin, S Dahl
The sounding object, 111-136, 2003
292003
Preferred dance tempo: does sex or body morphology influence how we groove?
S Dahl, D Huron, G Brod, E Altenmüller
Journal of New Music Research 43 (2), 214-223, 2014
282014
Facial expression and vocal pitch height: Evidence of an intermodal association.
D Huron, S Dahl, R Johnson
Empirical Musicology Review 4 (3), 93-100, 2009
262009
Characterizing movement fluency in musical performance: Toward a generic measure for technology enhanced learning
V Gonzalez-Sanchez, S Dahl, JL Hatfield, RI Godøy
Frontiers in psychology 10, 84, 2019
252019
Ghost in the Cave–an interactive collaborative game using non-verbal communication
ML Rinman, A Friberg, B Bendiksen, D Cirotteau, S Dahl, I Kjellmo, ...
International Gesture Workshop, 549-556, 2003
252003
Spectral changes in the tom-tom related to striking force
S Dahl
Royal Institute of Technology, Department of Speech, Music and Hearing, 1996
201996
Toward a new model for sound control
R Bresin, A Friberg, S Dahl
COST G-6 Conference on Digital Audio Effects (DAFX-01), Limerick, Ireland …, 2001
162001
What can the body movements reveal about a musician’s emotional intention?
S Dahl, A Friberg
SMAC 03, Stockholm Music Acoustics Conference 2, 599-602, 2003
152003
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